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Our go-to for fine art giclée printing. This 100% cotton paper has a subtle cold-press texture that gives prints a high-end look and feel with excellent color depth and rich blacks. The texture adds a painterly quality that elevates reproductions of original artwork and fine art photography alike. If you’re unsure which paper to choose, start here.

A smooth, bright white fine art paper with a clean matte finish. Particularly well suited to drawings, watercolors, and works where fine line detail matters. The smooth surface lets delicate marks read clearly without the interference of texture.

The same smooth, high-quality surface as the Aurora White but with a warm natural white tone. A great choice for watercolors, botanical illustration, and any work that benefits from a slightly warmer base rather than a stark bright white.

Our entry-level photo paper and a proven workhorse. The satin finish hits the sweet spot between glossy and matte — enough sheen to make colors pop and blacks sing, without the reflective glare of full gloss. We’ve used this paper for years and it consistently delivers for portrait and general photography.

A top-tier 100% cotton rag paper for fine art photography and gallery exhibition. The soft gloss surface produces deep, luxurious blacks and smooth tonal transitions that photographers describe as similar to traditional darkroom fiber prints. If you’re printing for a show or producing work intended for sale, this is the paper for it.

Your canvas printed and coated with Timeless Varnish for dust resistance and easy cleaning. Ready for stretching or mounting by you or your framer. No minimum.

A classic frameless presentation ready to hang straight out of the shop. Clean and versatile on any wall. Recommended for artists selling their work — buyers can display it immediately. Coated with Timeless Varnish.

A bolder, more substantial look with deeper side borders and a more dramatic presence on the wall. Same great coating as the 3/4" wrap. Coated with Timeless Varnish.

Your canvas mounted to a rigid Baltic Birch panel — the best long-term solution. Will not warp over time and pairs beautifully with any frame moulding without requiring glass. Our personal favorite for canvas going into a frame.

Gallery wrap canvas as-is with no backing. Looks identical on the wall but without the polished interior finish. A fine option if you're hanging it at home yourself.

Foam insert, paper backing, and hanging wire installed. The way most canvases leave our shop — looks professional inside and out. Recommended for gifts, gallery sales, or anywhere presentation matters.

A float frame creates a gap between the canvas and the frame, giving the artwork a gallery-quality suspended appearance. Works beautifully with both gallery wraps and Baltic Birch mounts. Ask us about this option when you come in.